- #Iridient developer prests for mac os
- #Iridient developer prests update
- #Iridient developer prests archive
The v3 Color noise reduction methods are now both applicable to monochrome conversions and are now applied prior to monochrome conversion.
#Iridient developer prests update
The Iridient Dveloper 3.0.1 update includes improvements to the new v3 noise reduction methods for Luminance and Luminance Grain Smoothness, particularly for images with high levels of speckle type noise in the deep shadows. The Iridient Developer 3.0.1 update is now available for download:
#Iridient developer prests for mac os
has released Iridient Developer 3.0.1, an update to the critically acclaimed Raw conversion and photo processing software for Mac OS X. New versions of the film style presets which emulate the presets of Fujifilm X-Trans cameras are also available.įor more information see the news release below.
In addition, the new release adds an option to specify custom aspect ratios for cropping and an option to use a slightly sharper preview. They include the Canon 5DS/5DS R, Nikon D7200, Samsung NX500, Olympus SH-2 plus E-M5 Mark II high resolution mode and the Panasonic DMC-TZ71. Support for six new cameras has also been added. Iridient Digital has updated its iOS Raw image processing software Iridient Developer to version 3.0.1 with "improvements to the new v3 noise reduction methods for Luminance and Luminance Grain Smoothness, particularly for images with high levels of speckle type noise in the deep shadows." Iridient Digital Releases Iridient Developer 3.0.1
#Iridient developer prests archive
Have you reported this in the support case you started (you did do that, right)? I'd be interested to learn about the outcome.Photo Corners headlines archive Ī S C R A P B O O K O F S O L U T I O N S F O R T H E P H O T O G R A P H E RĮnhancing the enjoyment of taking pictures with news that matters, features that entertain and images that delight. So, e.g., when I use AccuRaw, the DNG image is ok at first glance - whites are reasonably white, etc - but then if you compare to AccuRaw reading the original ARW, you can see that the color is actually not quite what it should be, especially the sky.
The same thing happens with other raw converters, to a greater or a lesser extent depending on their tolerance for strange tint values. (As loaded into LR, you'll see that the tint shows as 150) As a result, Adobe's products are throwing up all over the image. Lightroom, etc only allow for tints of +-150. Which might be ok, but the tint of 335 is way outside of anything that could ever occur in nature. The end result is that while the white point of the original ARW is temp:5279 and tint:-20.4, if you run the numbers on the Capture One DNG, you end up with temp:8783 and tint:335. It's a kind of a mongrel of ProPhoto and the camera sensor space. So the color space is what might best be termed "weird". However, they haven't changed the AsShotNeutral. What Phase One have done is to keep the DNG in Bayer array form, but have entirely transformed the color space from the camera's native color space, to something that is approximately the DNG specification's color space, which is a gamma 1 space with ProPhoto primaries. Now looking at the the DNG from Capture One, what we see is the following:
The color of the image is essentially defined by the color matrixes, and the AsShotNeutral, which is the white balance. Here is some new information concerning the green cast in C1P DNG filesīelow is an extract of the DNG version of the original ARW, as converted by Adobe's DNG converter.
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